June 24th 2012
The Stone
Improvised music by:
Shayna Dunkelman, Ayako Kataoka, Liz Meredith
The Stone
New York City, NY 10009 (U.S.A.)
www.thestonenyc.com
Spring Shows (2012)
April 4th 2012
ICTUS String Night
Performing compositions by Andrea Centazzo:
Janel Leppin, Jessica Pavone, Concetta Abbate, Liz Meredith
The Stone
New York City, NY 10009 (U.S.A.)
www.thestonenyc.com
April 28th 2012
The Vigil Music Festival
Liz Meredith & John Somers Collaboration
The Maryland Institute College of Art (MICA)
Baltimore, MD (U.S.A.)
www.mica.edu
May 26th 2012
Ambient/Dream-Pop Night
WKC, Liz Meredith, Saint Julien, Bethany Dinsick Band
5th Dimension
H & H Building (5th Floor)
405 West Franklin Street
Baltimore, MD 20120 (U.S.A.)

Ambient/Dream-Pop Night. Dazzling sounds and songs… & It’ll be dreamy. Performances by Baltimore and NYC-based artists: WKC (NYC), Liz Meredith (Baltimore), Saint Julien (Baltimore), and The Bethany Dinsick Band (Baltimore). 5/26/2012 The 5th Dimension – H & H Building (5th Floor), 405 West Franklin St. Baltimore, MD 20120. Doors at 9:30 PM. Show at 10:00 PM. $5.
Winter Shows (2012)
January 28th – 29th 2012
Drift State: An Extended Evening of Audiovisual Exploration
SoftHouse
Baltimore, MD (U.S.A.)
$5 admission. Free for museum members.
www.softhouse.tumblr.com
www.contemporary.org
Join the Contemporary and the lovely folks at the SoftHouse for an all night happening of experimental, ambient, and other worldly music designed for slumber. Bring a sleeping bag, and some ZZZs.
With performances and audiovisual installations from:
Andrew Bernstein, Grayson Brown, Andrew Burt, Bow-Legged Gorilla, Renee and Miles Clark, Run DMT, Meg Rorison, Owen Gaertner, Gem Visions, Rod Hamilton, KnightMagic, Rachel London, Liz Meredith, MC Scmidt, Erik Spangler, Happy Family, John Somers, ZFCL, and others.
February 26th 2012
Will Redman’s “The Compositions”
Antreasian Gallery
1111 W 36th Street Baltimore, MD 21211 (U.S.A.)
www.willredman.com
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Fall Shows (2011)
August 12th 2011
DEUS EX MACHINA
Erik Spangler + Liz Meredith, Chang Park + Ryan Redka, Chris Shield, Tyler Tamburo, Faith Bocian, Phill Jenkins, Nick Vyssotsky
Dionysus Club
8 E. Preston Street Baltimore MD, 21202 (U.S.A.)
August 31st 2011
Liz Meredith & John Somers, Marc Miller, Zak Forrest, Janel & Anthony
The Windup Space (8:30 PM)
10 W. North Ave. Baltimore, Maryland 21212 (U.S.A.)
www.thewindupspace.com

Get ready! I’m so excited for this… John Somers and I will be debuting new compositions that we’ve been writing together for the past few years. It’ll be an entire night of music awesomeness: ripping guitar solos, bowed strings, synths, abstract sound, melodies, sparkling drones, and live video. We’ll be joined by fellow rad people – for sure! Performances by Liz Meredith & John Somers, Marc Miller, ZFCL, and Janel & Anthony. 8/31/2011 The Windup Space – 12 W. North Ave. Baltimore, MD 21201. Doors at 8:30 PM. Show at 9:30 PM. $5.
October 16th 2011
Liz Meredith, Erik Spangler, Jason Sloan, Chang Park, Ayako Kataoka
2640 Space (7:00 PM)
2640 St. Paul Street Baltimore, Maryland 21212 (U.S.A.)
www.redemmas.org/2640
In concert:
Liz Meredith, Erik Spangler, Chang Park, Jason Slaon & Ayako Kataoka!
[[ Electronic, Ambient, Experimental Soundscapes ]]
LIZ MEREDITH (Baltimore): a string player, improviser, and composer whose work encompasses instrumental compositions, ambient music, song-oriented pieces, graphic scores, and solo improvisations. A “creator of string-based, electronically textured drones made to soothe souls…” – Baltimore City Paper (2010). www.lizmeredith.com
ERIK SPANGLER (a.k.a. DJ Dubble8, Baltimore): equally engaged with ensemble improvisation, live sample-based mixing, guerilla community sound art, hybrid electronica production, and notated chamber music, Spangler aims to dissolve cultural boundaries while drawing all corners of inspiration into cohesive sound images. www.dubble8productions.com
CHANG_PARK (Baltimore/Seoul): a sound / new media artist and electronic musician. Through interactive installation, performance, composition, he explores sound as a subliminal communication between object and space in terms of psychoacoustics. www.twitter.com/CHANG_PARK
JASON SLOAN (Baltimore): an electronic musician, composer, new.media, sound and net.work artist. His work creates a collective experience between the viewer, listener and artist, examining aspects of immateriality and its connection in life, death, memory, systems and the virtual world. www.jasonsloan.com
AYAKO KATAOKA (Baltimore): a multidisciplinary artist originally from Tokyo, her performances, and videos have been presented at places such as Tokyo International Dance Video Festival, San Francisco International Arts Festival, Transmodern Festival, Los Solos Series, High Zero Festival, and Electrogals Festival. www.saisui.wordpress.com
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Summer Shows (2011)
July 16th 2011
2011 ELECTRONICA FEST ONE
The Baltimore SDIY Group & Friends
Andie Musik Live (7-10:30 PM)
409 N. Charles Street Baltimore, Maryland 21201 (U.S.A.)
www.andiemusiklive.com

July 17th 2011
Compositions by Will Redman
ARTSCAPE: Worlds in Collusion
University of Baltimore Student Center (3 PM)
Corner of Mt. Royal and Maryland Ave., Baltimore MD, 21212 (U.S.A.)
http://www.artscape.org
http://www.highzero.org
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Spring Shows (2011)
February 23rd 2011
Mobtown Modern: “Notations 21″
The Windup Space, Baltimore, MD (U.S.A.)
www.mobtownmodern.com

March 27th 2011
Compositions by Will Redman, Andrew Bernstein
The Windup Space, Baltimore, MD (U.S.A.)
www.thewindupspace.com
www.willredman.com
May 7th 2011
Lab Experiments
Women in Experimental Media
Liz Meredith & Ayako Kataoka Duo + Many Others!
14 KT Cabaret, Baltimore, MD (U.S.A.)
www.labexperiments.org
May 13th 2011
Graphic Scores
Composers: Liz Meredith, Will Redman, Samuel Burt
The Red Room, Baltimore, MD (U.S.A.)
www.redroom.org

GRAPHIC SCORES
Concert of visual-oriented music and graphic score compositions. A unique eye-catching event! Composers perform their own works, alongside video projection and visual imagery. Featuring video, music and solo performances by Samuel Burt (clarinet), Liz Meredith (viola), and Will Redman (drums).
SAMUEL BURT (clarinet) www.samuelburt.com
Samuel Burt gives a lot of his time to Baltimore’s thriving experimental music community, as an organizer, composer, and improvisor. As a board member of the High Zero Foundation, he is constantly preparing for each year’s festival while running the weekly Red Room experimental music shows. He also organizes chamber music performances of Baltimore composers under the series name After Now. …. [www.redroom.org]
LIZ MEREDITH (viola) www.lizmeredith.com
Liz Meredith is a string player, improviser, and composer originally from Baltimore, Maryland. Her music explores many creative facets, from composing instrumental works to making ambient music, song-oriented pieces, graphic scores, and solo improvisations. “Baltimore’s Liz Meredith is a creator of string-based, electronically textured drones made to soothe souls…” …. [www.redroom.org]
WILL REDMAN (drums) www.willredman.com / www.bookmusic.org
Will Redman is a musical instrument that scrambles and obfuscates the precarious limen of the composer-performer-audience compact. Scores employ fantastically unsystematic notation, inviting the beholder into a wilderness of interpretive self-sufficiency. Improvisations manifest as ostensible readings of invisible psycho-temporal texts. Sounds distend the sentient receptive sphere. Productions disseminated internationally through human, print and broadcast media. …. [www.redroom.org]
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Mobtown Modern “Project 20 Remix” (2011)
MOBTOWN MODERN “Project 20 Remix” / Liz Meredith sample:

Liz writes: “Most of my compositions are derived directly from my viola playing. I enjoy hearing small fragments of the instrument; scattered, rearranged, and transformed into something new. I like to explore these ideas in many ways. I find myself drawn towards musical extremes, i.e. melodic, experimental, tiny, colossal, gradual, abrupt, clean, chaotic, soft, booming, fragile, and/or expansive types of sound. Or two distinct paths: heavily processed electronic sounds and more organic acoustic sounds. With my string playing, both ways work. This short 20-second audio sample explores many of these musical ideas.”
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