Liz Meredith is a violist, violinist, and visual artist from Baltimore, MD. Her music explores intersections between acoustic chamber music, instrumental improvisation, electro-acoustic composition, and ambient music. Liz’s recent projects include a solo album, The Disposition of Vibrant Forms, a 5 LP set in collaboration with John Somers, and work as an artist/designer for boutique effects pedal company Vaux Flores. In addition to performing her own music, Liz has premiered new works by emerging composers, and has contributed her sound to recordings by Monica Lionheart, Microkingdom, and others.
“Liz Meredith is a gorgeous plunge into a plaintive mood, a place where rising and falling electronic textures and drawn-out viola lines cast soothing shadow plays on the brain.” – Baltimore City Paper (2012)
Liz’s performance record is fittingly diverse. She frequently performs at rock clubs, D.I.Y. spaces, art galleries, chamber music venues, music festivals, and academic conferences throughout the United States. Career highlights include performances at Signal Flow Festival, Mills College; High Zero Festival (Baltimore, MD); several performances at the Baltimore Museum of Art; and The Stone (New York City, NY).
Liz holds a Masters of Arts Degree in Music Composition from Mills College (Oakland, CA). She has studied music composition with Fred Frith and viola performance with Hank Dutt of Kronos Quartet.
Liz is currently based in Baltimore, MD.